Archive for the Lost Category

The Pie Man Television awards 2010

Posted in Ashes to Ashes, BBC, Being Human, Channel 4, Chuck, Defying Gravity, Dr Who, Heroes, James May, Lost, Misfits, Reaper, Sherlock, Sky, Sparticus, Stargate Universe, The Deep, TV, Virgin 1, Wonders of the Solar System with tags , , , , , , , , , , , , , , , , , , , on December 5, 2010 by pieman70

Ok it’s a bit late, but since the US is slowly disbanding the traditional dates of seasons it has meant that I have had to wait a bit before really trying to pull together last years TV, so technically this covers late 2009 as well, basically think of it as covering any TV that was made after last years television awards.  As always there is an SF bent to proceedings, and this year things are a bit sparse, not because of a lack of new shows, although there is a bit of that, but because with me now having a family I just can’t log the hours of TV I once managed.  So, arbitrary awards ahoy.  As always this will be littered with spoilers, spelling errors, bad grammar and generally poor quality writing, proceed if you dare.

Best TV show.

This one was tough, although truth be told the US isn’t nearly pulling its weight like it once was.  So what did we have, well there are many shows I liked, but how many would I actually judge as “best?” Ashes to Ashes was definitely good in its final season, Stargate Universe has become must watch TV even if it took me a while to get into my head that it wasn’t like the last two Stargate series, Lost had a great final season, Being Human S2 was great and of course we had the two masterful newcomers in Misfits and Sherlock which nearly qualified for best show on their first years.  Instead I’m going with…

It’s a bit of a hard one to judge, see if I have my timeframes right, and if I don’t tough, my 09/10 period catches 3 of the specials and the new series, so I’m spoiled for choice.  I know the specials weren’t as well received by everyone, although there is very little hate for Waters of Mars the Xmas and New year end of time 2 parter has taken a lot of flack.  It was a little flawed and very overindulgent in its last act, but it was a goodbye to the team that have brought our show back, and for that I can forgive anything, I cried manly tears.  Then we have the new series with Steven Moffat at the helm and Matt Smith and Karen Gillen playing the Doctor and Amy Pond, and you know what, its different, but Matt Smith has definitely taken to the role like a duck to water meanwhile the feel of the show is different but also much fresher, perhaps a little more kiddie friendly as well which is no bad thing, it is a family show.  The standout episode of the series was “Vincent and the Doctor” but credit where credit is due, the final 2 parter was great, with a mix of action, drama and comedy.  In fact that could be said of the whole series.  Downsides are the iDaleks and a slightly off 2 parter featuring sort of Silurians but in general I wait with baited breath for the Xmas special.

Best New Show.

Again, a little spoiled for choice, and again very much dominated by British TV, obviously Stargate Universe is an option, and I’d even consider Caprica, although I have to confess that I gave up half way through and came back at the end, none the less, while it took its sweet time to get going I was warming to it.  Truth be told it was very nearly Misfits, Channel 4’s ASBO superhero show, and if I can’t come up with an award for it from the usual categories then expect a spurious award near the end because it deserves some love.  However, best newcomer is non SF, it was short, but daring and once again it’s Steven Moffat.


This was a surprise, the BBC were running a set of new dramas, some one offs or week long events like The Deep, but then there was Sherlock, a modern take on Sherlock Holmes.  Epically named Dominick Cumberbatch took on the role and gave a great young Holmes in his performance, managing to keep the character enjoyable even if you know in real life he’s pretty unlikeable.  Martin Freeman took the role of Watson, now a veteran of Afghanistan drawn into holms’ world.  The show had a real energy and pace, so much so you really didn’t notice its quite staggering 1hr30mins running time per episode, yes each episode was a mini movie, that in itself is bold enough and kudos to the Beeb for letting them try it.  So far we only got 3 episodes but with a further 3 planned these could be short bursts of brilliance.

Best Finale

We had quite a few series end this year, or indeed be axed.  In the end though there were two real contenders for this prize, and oddly enough both had similar finales.  Lost didn’t win it, now I’m not a hater of this finale, yes it was a bit annoying that the island’s secret was basically “It’s a magic island” and I know that many found the “Alternate” flash sideways turning out to be the afterlife a cop out, and I would have perhaps preferred it to be a parallel world and the solution not to be turning the island off and on again, but regardless Lost’s finale was emotional and offered a sense of closure for me at least.  But it’s not the winner, no that has to go to…

So, it was all a sort of limbo for coppers who died on duty and Gene Hunt was to usher them to the next world, it makes sense, fits in with the Life on Mars Finale, and in general works.  It shouldn’t, it should be a cop out (pardon the pun) but it explains so much.  And of course we had the villain of the piece, Jim Keats, the more modern DCI and very possibly an agent of Satan himself trying to lure genes cops away, he managed to really create a nemesis for Gene, initially subtle and menacing his final few scenes where he was all out evil mad were a joy.  Taken as a 5 series story Life on Mars/Ashes to Ashes is going to be one of my must own on DVD (Hell I’ve already got Life on Mars) I think re-watching now I know the secret will only reveal even more.

Most Improved Show,

This is a tough one this year, possibly because most of the series are either new or the returnees were pretty damn good already.  So I reckon I may be pretty controversial when I say the winner is

You may think I’m just making sure chuck gets an award this year, and you may be right, however stay with me.  Chuck was good already, but I really do think that it has been consistently improving over its run.  S3 gives us chuck with a new intersect, one that gives him kung fu skills.  Not just that but its one of the few series I know that can take getting a sudden series extension and not have the latter half turn out rubbish.

Most Gratuitous T&A in a series

I didn’t catch too much of Dollhouse this year, so I can’t say if it qualifies.  In fact T&A is clearly something ion this age of austerity we can’t afford, or perhaps its just I’m watching fewer shows that lend themselves to it.  I should probably watch the Hawaii Five O remake as it’s meant to be littered with it so I can have this award in next year.  I could use Misfits but what T&A it had wasn’t particularly gratuitous, so instead I’m opting for a non genre show that I’ve watched a bit of, because I like this award.

I’ve seen a few episodes of this and wow, you thought Knight Rider was bad, women seem to wonder around topless just for the hell of it.  The scene that I thought really exemplified this was during an episode where there had been a drought and at the end it rains once our titular hero has killed someone in a gladiatorial bout.  Apparently in ancient Rome rain made women in crowds fall out of their tops.  Similarly a fringe benefit to being rich was that you could have topless slaves hanging around your house and your wife wouldn’t bad an eyelid.  I get the feeling at script meetings someone did ask ‘How can we get more boobs into this series?’

Best Factual series

I’ve realised I watch a lot of documentaries, due to the unique nature of various channels I often don’t know if I’m watching something new or something ages old.  I have also decided to have two separate categories.  Shows like the excellent Wonders of the Solar system are clearly factual, however entertaining they may be while something like Top Gear is technically factual but is first and foremost entertainment.  I thought this was an important distinction.

This year I’ve been fairly spoilt for choice.  A good start was the badly advertised and barely plugged “The Digital Revolution” presented by Dr Alex Krotski, this had a lot going for it, not only was it an interesting insight into the social impacts of our information age but it was presented by the presenter I liked the most from 1990s games review programme Bitz.  Mythbusters is also a worthy candidate, straddling the boundary between factual and Entertainment factual with aplomb.  The winner this year must be.

This is one of these things that the BBC has everyone else beaten by a country mile.  Professor Brian Cox takes us through some of the wonders of the solar system.  That’s kind of it.  The content was factual but presented in such a way that it wasn’t stuffy or dry.  Brian Cox is an excellent presenter and speaks with a genuine and infectious enthusiasm for the subject matter and the visuals that are presented are truly awe inspiring.  Seriously try to watch this.

Best Entertainment Factual

And so from the less noble end, again we have Mythbusters as a possibility and the ever present Top Gear, in fact all we were short of were a few drama-documentaries which seem to have been in short supply.  However my award goes to.

I’m a big fan of James May, I think he’s a good presenter, particularly when given a subject matter he is interested in, he can usually add a touch of humour to whatever he’s presenting.  This series spun off from three one-off programmes he did, concerning toys.  In this he takes a toy, tries to convince some kids its fun and works towards a giant challenge.  This series had May building a life size Airfix model Spitfire, building a bridge over a river using only Meccano, re-creating the brooklands racing circuit full length but using Scaelextric, Living in a house made entirely of Lego and re-instating a branch line in Hornby double-0 gauge.  His success sis often varied but in the process it was nice to see kids taking an interest in toys and the way James May and a TV crew could get families and communities out together.

Best UK Network/Channel

To be fair there’s only a little competition in this, Virgin/Channel one are improving but look set to be dismantled after a Sky Buyout, Living will probably qualify for a Pirate Bay award next year, Channel 4 made a good effort with Misfits and now that Big Brother is gone I expect wonders.  Sky1 itself is on a bit of a decline, having far fewer shows that I’m interested in this year than last now that Lost is gone however their recent purchase of exclusive rights to all of HBO’s output is promising even if their proportional budget on home grown series is miniscule.  Bravo is still Bravo with nothing particularly new or interesting and with SyFy running V, Eureka and Warehouse 13 its fast becoming the channel filled with series I should watch but don’t.  No, the winner this year is,

Its not perfect, and there are criticisms, but this channel this year has given us, Dr Who, The Sarah Jane Adventures, Merlin, Sherlock, Ashes to Ashes, Top Gear, James May’s Toy Stories, The Digital Revolution, Survivors, Vexed, Miranda, Charlie Brooker’s Screen Wipe and many others.  All thoroughly entertaining, all home made.  It runs very few bought in series these days which is good as all the money from these series goes straight back into the BBC and into British pockets, surely worth supporting.

The RIAA award for harm caused to Bit-Torrent

Most networks are beginning to understand that getting stuff on screen as soon as is humanly possible after US screenings is the best way to stop people downloading stuff.  So this year the award has been flipped to recognise those who do their best to keep you off the Bit Torrents.  A credit here should go to ITV, Channel 4 and the BBC who have made their on demand service for catching repeats available to as many people as possible (Living only allow on demand on premium packages and sky only allow their Anytime service on sky) Sky have got anytime and have the best record for putting shows on usually in the same week they air.  I’m torn though.  See Sky’s protectionism is driving people like me to bit-torrents when we miss things (There were a few episodes of Lost I had to catch up on through “Alternate” means) it’s a small thing but it’s the only thing this year that pushed me to Bit Torrent.  In the end it has to be

Both are as good as each other, most of the channel’s main output is available, most are on for a week at least and they have back catalogues available for free or very little.  This could well be the future of TV.

Only the Good Die young award.

Not too many entries here.  I could say Defying Gravity but I may sound like a broken record next award.  Instead I’m going to go for,

I know it was 2 seasons old, but it was really getting moving.  They had found a groove, were building a mythology, and now we’ll never know how it was to end.  I miss my dose of supernatural fun.

Never given a proper chance award

This one should be obvious

It was shafted by Fox, let down by the Beeb, graveyarded and left to die.  A shame because this was a series that really got under my skin.  Space exploration where exploring space is the main source of peril, it was drifting near documentary territory at times.  I just wish everyone involved had been a little more confident in the series to push it harder.  I think this could have been a classic.

Most Promising 1st Season.

Again, a crowded year, Sherlock, Caprica, Stargate Universe, Defying Gravity. But in the end of the day the series which had a season that made me sit up and take notice was.

It shouldn’t have worked, it was badly marketed, with the creators seemingly telling as few people as possible about the show, it epitomised the joke Channel 4 Mindset of any new series being something crossed with Skins and the cast seem pretty dislikeable from the get go, but it worked.  A good combination of humour, drama and character this series drew you into its world.  A mysterious storm gives a group of youngsters on community service Super Powers, but how will they use these abilities and how will they explain why they killed their hulked-out probation worker.  See, the premise is even hokey, and it often had a “Storm powered person of the week” format that reminded me of Smallville’s early “Kryptonite powered baddy of the week” format, but it worked, and worked well.  The characters grew into full fledged personalities and the final episode in particular, which involved an evangelical Christian able to turn anyone who could hear her to her way of thinking had a real night of the living dead vibe to it.  Season 2 has shown no dip in quality either.

Most off the Boil series.

No pre-amble it has to be

So off the boil its been axed, Heroes, I would say its not you, its me, but it is you and I can’t do this anymore, I can’t sit through dross just to have the one or two great episodes, it just isn’t working for me.  Yes, I gave up through Season 4.  Can’t fault the networks decision here; however I have a concept for a sitcom starring Ando and Hiro if you’re interested?

The Reilly 2040 worst padding award

It’s a tough call, I could hit Heroes a bit more but that would be cruel, and if Padding was the only problem with “the Deep” it would be a mercy.  It could be Caprica, I don’t know because I faded out mid season and came back nearer the end.  No, it’s a tough call but I think it will be

I suppose it usually wasn’t a padding episode, but more some episodes were padded, So much of the Earth based body swap stuff is just tedious and most of the time you’re just waiting to see people in dark corridors whisper at each other to let you know that you’re seeing the interesting bit.  If you extracted the padding and re-distributed destiny sub-plots I reckon you could have shaved a couple of episodes off this series.  Overall though USTV, you are improving.

Pie Man Special Award

This is an award for something I think is good but has been sidelined by better, newer or just by accident.  This year it is

It nearly warranted the “Worst Treatment” award, see last year Team Chuck only thought they were getting 12 episodes, wrote a tight 12 episode arc and once ratings were ok were then surprised with another 10 eps.  I don’t give the award because wheat we got from this was something more akin to 2 seasons rolled in one.  It may have actually removed some padding.  Chuck is still a Joy, and a greater involvement of the extended cast meant we got more Buy More antics, a greater involvement for Morgan and best of all, an end to the will they/won’t they Chuck and Sarah question, they did and it stuck.  Plus we got at least 2 new Jeffster Numbers.  I can’t say this enough but a Jeffster Album?

Graceful Retirement Award

I think we only had one real contender, Heroes’ retirement being anything but graceful the award goes to

It was big finale time, and to be fair a cracking final season, obviously there is some disappointment from not having the Island’s secrets revealed in any way beyond “Magic” and the flash “Sideways” transpiring to be the afterlife was a slightly wasted opportunity, but it left me satisfied and gave a sense of closure which was welcome.  The story is complete; we need not worry about Lost any more.  And I for one cried like a baby at the finale, although the way Michael giacallo Scores episodes I’m sure he could make the Go-Compare adverts seem like stirring pathos laden masterpieces.

Worst Treatment of a series

Virgin/Channel One were a possibility, but chuck wasn’t as badly treated as last year.  I reckon Living are already getting much of my Ire for next year over Chuck as well, so lets have a different perpetrator this year.

The BBC has had one major problem this year.  Its Schedule or lack thereof.  It seems that either the IPlayer has spoiled them or they it is in fact incredibly difficult to put a programme on at the same time every week.  For its big hitters like Sherlock ad Dr who it’s often a matter of 30mins or so but I really shouldn’t be checking an EPG to see when Dr Who starts this week.  For others like James May’s Toy stories, it roved quite freely, so much so that I watched every episode on IPlayer.  But the worst has to be their treatment of Defying Gravity.  It was graveyarded, that I don’t mind, but there were some weeks we got two episodes, some one, some none, never at the same time, sometimes on different days.  Again IPlayer was my friend but how the hell can we be expected to support a show when it isn’t on the same time every week.  The BBC really needs to sort this out even if On Demand is the future.

Biggest Missed opportunity

I was tempted to say Caprica, but it was improving towards the end of S1, instead I think I’ll shoot at a one off Drama the BBC produced initially as a 5 day TV event, but were so worried about its poor quality that we had to endure 5 weeks of torment.  I speak, of course, of.

The Deep

James Nesbit, Minnie Driver and a crew of other “Him off of that things” take a submarine to the Antarctic undersea volcanoes to try and find out what happened to the previous mission (Containing Nesbit’s wife) and carry on their research.  What followed was a horror of dodgy premises, poor acting, poorer scriptwriting and mind boggling stupidity.  Note to writers, you should not see a twist and say “Was that meant to be a twist”

Various plot elements only made sense if you accepted that someone would pay to shove idiots underwater.  Here are two examples, presented in time honoured “Choose your own adventure Style”

You are on an evil giant Russian sub that looks suspiciously like that factory they film Dr Who in a lot.  To repair your sub and get everyone away from the soon to explode nuclear reactor you need to find the last sub and salvage a part from it.  You are using two pods to double your search chances.  One is your own, its controls labelled in English but it lacks the ability to dock with an airlock.  The other is the Russian one; it can dock but has all its controls in Russian.  You have two pilots, one, Clem speaks no Russian, does not know what part to look for and will have a long drawn out trauma about his wife who was killed on that sub, the other, Svetlana speaks Russian and knows what part to find.

If you put Svetlana in the Russian pod and Clem in your own, go to Paragraph C

If you Put Clem in the Russian pod and Svetlana in your own, go to Paragraph B

B Congratulations, you are churning out daft decisions suitable for a writer of The Deep, situation 2 is here.

You are a sonar operator and know your boss is on the take to corrupt Russian oil barons.  You suspect your boss knows you are on to you when he comes in holding a pistol, but the slide is frozen.

If you rush your boss to try and wrestle the gun from him before he can free it up go to Paragraph C

If you stare at him with a gormless expression, akin to a cow looking at a slaughterhouse wondering what goes on in there, go to Paragraph D

Paragraph C Bad luck, your decisions are good but do not draw out enough “Drama” you will never make it as a scriptwriter of “The Deep”

Paragraph D Well done, you are probably dead, of your own stupidity, but if you have survived the terrors of using a spoon to eat breakfast you could have a future writing any sequel to “The Deep”

Think this sums up what I thought of the show, it could have been interesting, educational, tense and claustrophobic, but it failed to hit any of these.  The money should have been given to the poor.


Upcoming TV

Posted in Chuck, Defying Gravity, Dollhouse, Dr Who, Flash Forward, Heroes, Lost, Stargate Universe, True Blood, TV with tags , , , , , , , , , on October 19, 2009 by pieman70

I’ve spent so long on last years TV, and Virgin have spent so long putting on Chuck, that we’re now into the new season.  Here’s a rundown on shows I’m interested in.  The twist?  Despite the axing of many a good show (Middleman, Knight Rider, Reaper) the end of BSG etc, I still have a pretty full schedule, frankly more of a schedule than I can watch.  So, expect one or more of these to be dropped before the end of season.

Definitely Watching

Lost – Aside from the fact that the past few seasons have been great, I’m committed; I want to know how this ends.  And I’m looking forward to this season as well, not just that we’ll get answers, but just in general, Lost has been really good of late.  If I drop everything else I need to see Lost.

Doctor Who – We have some specials coming up, and ultimately the regeneration of David Tennant to Matt Smith.  Doctor Who usually appears on everything else’s off period as well which is a bonus.

Chuck – Again, probably advantaged by Virgin showing it late, so it’s likely to be on Virgin once other shows have finished.  Hell we’re just finishing season 2 now, but it’s been so much fun I can’t see me abandoning this now.

Might be Watching

Stargate UniverseReilly 2040 did a decent post on this so far and indeed I’m watching at the moment.  The first 3 parter, Air was quite good, definitely a different direction.  The series has made good use of the lack of a coherent command structure on board Destiny; I expect to see more conflicts from the large civilian population in the future.  They’ve also added in the feature of the ancient communications device, allowing them to exchange bodies with people on Earth.  I’m hoping this means we’ll see experts such as Rodney from Atlantis brought in on occasion.  All that bound with a big ship that could house problems of its own and a viable “Planet of the week” premise if required (The hint that destiny will seek out planets that may help it run is intriguing).  Downsides, I liked the lighter feel of the previous stargate incarnations, this series seems almost a little po-faced.  Overall, hopefully I can keep with this

Flash Forward – Have caught the first 2 eps (Missed 3, putting child to bed) and it is so far rather intriguing.  Yes it could well be the next lost, with its unfolding mystery etc.  Only gripe so far is that none of the characters have really shone, they don’t interest me like the initial survivors of lost did.  However I do like a good mystery and this series has set up the layers nicely.  At its core is the constant question of “Is the future fixed” which leads into the mystery of why the event happened, who are the people who did not black out, all tracked through a board of random clues the main character was conveniently looking at during his flash forward.  There were also some nice touches, we had consequences of everyone blacking out for 2 mins or so, plane crashes, car crashes and general disorder.  On the other hand some people were doing mundane things like sitting on the toilet reading the paper.  If I can keep the commitment, and if it doesn’t descent into X-Files/Season 2 Lost territory of never answering things properly, in short if it’s well planned, this could be very good.  An extra gripe to Channel 5 doing ads every 15 mins.  I realise this is probably the same number of ad breaks as you get when shown with US breaks, but it ruins the pacing of the show.

True Blood – this is technically last years TV, with Season 2 starting soon or already started.  But being on Channel 4 means we all get to find out why we were so happy when Sky bought the rights to Lost.  Still anyone with FX can catch it sooner so there’s a bonus.  Series about vampires living among us has had nothing but good reviews from all who have seen it only caught some of the pilot and it could well be interesting.  I’ve never been that enamoured by vampires mind you.  Still, at time of writing all I can really tell you about is that we have a psychic girl who may start dating a vampire.  True Blood lacks the instant hook of Flash Forward, but its later timeslot and rave reviews mean that it may be something I can keep an eye on easily.

Defying Gravity – Did you see the Docu-Drama Space Odyssey – Voyage to the planets?  No, oh, shame, it was quite good.  Defying Gravity takes this idea but dumps the Docu side, focusing instead on the Drama; it tells the story of a group of Astronauts on the star ship Antares on a mission to explore the solar system.  Its blurb and episode summaries hint at a series focused more on realistic space travel and the dramas that come from it, such as relationships aboard ship and dangers from solar radiation and isolation.  Reviews haven’t been positive but I like this sort of thing and so will most definitely give this more leeway than normal.

Heroes – What to say about Heroes, well the Beeb has lost confidence, that shows.  To be fair they did it no favours scheduling it against Ashes to Ashes, not so much because one would trounce the other but way to knock a chunk off your own ratings.  Anyway, apparently after the last good run of showing it near enough as soon as the US has (As Sky tend to do) they’ve now said they won’t be showing the next season until 2010.  In some ways this is good, it means all my TV doesn’t hit at once and gives me a fighting chance to see something.  Down side is, well frankly Heroes has never really found its feet after Season 1 and I’m not sure I want to go through another season.  Yes it had highlights, but it has been a bit of a mess.  Its like a relationship that’s petering out,  You want to give Heroes one more chance, it promises to be like it was when you first met, but you fear you’ve heard that before, and we’ll instead have another year of going through the motions and being disappointed.  Timing will see if I open myself up to this again.

Dollhouse – This really didn’t grab me last year, until the last few eps, in particular Epitath One.  Damn you Wheedon, this may well be worth a second look, particularly now Wheedon can judge the direction more clearly.  Still, from the promo posters expect Dushku in a variety of outfits all the same.

Overall, considering the axings of last year, we still have a decent crop of shows to keep me entertained.

The Pie Man Television Awards 2009

Posted in Ashes to Ashes, Battlestar Galactica, BBC, Being Human, Bonekickers, Channel 4, Chuck, Dollhouse, Heroes, Knight Rider, Lost, Pushing Daises, SF, Sky, Terminator, The Middleman, TV, Virgin 1 with tags , , , , , , , , , , , , , , , , on July 13, 2009 by pieman70

Though I will do a more comprehensive review of this years TV, I thought I would first do my own mock awards ceremony for this years TV

For information, these awards are arbitrary, no prizes will be handed out and all the winners earn is Kudos or scorn.

Best New Series.

Actually quite hard this year, we’ve had a good wash of new stuff, much of which has been interesting, much of which has also been axed.  This years award really has to go to

The Middleman, a fantastically fun, daft and always brought a smile to my face.  A real highlight.

Best Series,

Again tough, Galactica was great stuff this year, Chuck has been first rate, the aforementioned Middleman was good and I really liked Knight Rider.  But in the end one series has stood out as must watch unmissable TV, and that is…

Lost, a great example of what a series can do when it’s not required to attract new viewers or provide a set amount of standalone episodes; it’s been brilliant this year

Most Improved Series,

Tough one, we had quite a few already good series from last year, and very little wasn’t firing on all thrusters.  Terminator: The Sarah Connor Chronicles was a contender; you could even make a case for the end of the final season of Galactica.  But however for me it must be

Ashes to Ashes.  This really has found its feet in its second season, to be honest because I think it stopped trying to fit what worked in Life on Mars into its different dynamics, elements such as the clown being a replacement test card girl never worked.  It also helped that Alex is a lot more unsure and self knowing and that the Gene Genie is much more his old self.  There were some nice twists on what we thought we knew at the end of LoM as well, particularly with the shock ending.  Looking forward to series 3 in a way I wasn’t for series 2.

Most gratuitous T&A in a series.

A little award to show when a series uses rather too many opportunity to shamelessly include scantily clad women.  Dollhouse was a contender, particularly the first few episodes being the televisual equivalent of one of those paper dress up dolls with Eliza Dushku pretty much being there to wear different outfits.  Seriously I was expecting her do to a Nurse and a French maid next.  But Dollhouse wasn’t the worst offender, nope, the winner of this illustrious award must be

Knight Rider. We go to Vegas, well in Vegas we must have shots of women lounging in the sun wearing bikinis right?  Right?  And next week mike’s mission take shim to a beach resort filled with insanely attractive people while later they infiltrate a millionaire’s bikini party.  Seriously, did they get money form a bikini manufacturer as well as Ford?

The Andromeda WTF is this still running award.

Due to the credit crunch this award in on Hiatus.  In truth, no series this year have really fallen into this criteria.  Heroes is close but I’m not quite ready to kill it just yet.

Best UK Network/Channel.

By rights this should be the BBC, their in house product has been of a good standard and they’ve learned the lesson from Sky in showing their import (just the one mind) very soon after its US airdate.  Sadly they produced a fail so epic that it disqualifies them from the best channel award, they scheduled Ashes to Ashes against Heroes, they effectively went into a ratings war with themselves.  Call me harsh but I do think it was a massively dumb piece of scheduling, particularly as they made Ashes to ashes, hold it for a few weeks, its not like people can torrent it until you’ve shown it (Aside form knock offs and test tapes).  I also stick by my rule with the BBC, they should never have the same sort of thing on BBC 1 and 2, normally this is a criticism levelled at sport, never have both showing sport, but its equally valid for something I actually enjoy watching.  A shame because the BBC really did do well this year and sadly with a heavy heart the award must go to

Sky 1. Aside from settling their Tiff with virgin Sky had a good selection of top shows, all shown usually within days of the US airdate.  Granted Next year they’ve lost 2 of their genre heavy hitters in Stargate Atlantis and Battlestar Galactica, but I would bet on them nabbing Stargate universe and wait to see what they look into nabbing to replace Galactica.  Still they shouldn’t rest on their laurels, the BBC would have taken them this year and Dr Who is back next year, plus if Virgin 1 ever gets their act together it could actually be a contender.

The Pirate Bay award for Services to bit-torrent,

the award given to a channel which has delayed showing a series for sol long that you might as well Bit Torrent it. There were two main contenders, and its been a tough call between them.  One is Virgin 1.  It’s trying its best to be a free Sky 1, but whether the problem is in the schedulers (Where did you get these guys, Channel 4?) or the contracts, they have a pretty poor record with showing TV after its US debut.  Virgin have 2 flagship genre shows, terminator and Chuck.  It took an age to get the new series of terminator on (Perhaps something to do with not showing it until bravo finished S1 repeats, dumb idea regardless) and they decided to opt for the particularly poor option of only showing one property at a time, so we’ve had to wait even longer for Chuck.

However, Virgin 1 are not the worst offenders, that must go to

Channel 4, ah yes, channel 4, do you wonder why we all groan whenever you get a genre series.  Remember Babylon 5 and the incredible floating timeslot, it was like you wanted it to fail “Wednesday at 6, ok then Sunday at 7, still watching, Thursday at a time decided by the phase of the moon.  And let’s not forget how you hacked Angel to pieces and buried SG1 and Enterprise on T4.  So, what have you done to incur my wrath.  Reaper.  Remember it, entertaining show, bit monster of the week but great fun.  Where is it, Series 2 long wrapped up in the US, but where is reaper, I know you have it.  Oh, unannounced return on Friday nights.  Thanks for that C4.

Only the Good Die young award,

An award of series that were great but axed early.  Middleman was a serious contender for this but I reckon I’ll invent an award for what happened to it.  Nope this one goes to

Pushing Daises, A great dollop of gentle whimsy, we never expected it to survive, and I worried that the quality would eventually dip.  This one has Cult series written all over it.

Never given a proper chance award,

for good shows that should have had more done for them, and would have been higher rated with a little more commitment from the network.  This  Goes to

Middleman, it was almost doomed out of the gate, No one saw it coming because ABC Family seemed to keep the existence of the show secret.  A damn shame as I reckon with even some marketing this could have been huge.

Most promising 1st Season.

Hmm, tough one this, Was tempted to give it to Knight Rider or Middleman, but both have been axed and so it’s a bit of an empty award if they don’t get a chance to follow it up.  Instead I’ll name

Being Human, for a series based on a premise that seems to be the start of a joke, they’ve built up a universe and a mythology around their Ghosts, vampires and werewolves.  This is impressive since, being a UK series it was substantially shorter than its US counterparts.  Season 2 will be on us in a few months and I really can’t wait to see the fallout

Most Off the Boil Series. For a series that was once great, and isn’t rubbish, but just doesn’t seem to be hitting the target at the moment.

Heroes, to be honest, its been off since season 2, its actually quite odd to think that during Season 1 of heroes it was Lost that seemed to be floundering around, going nowhere and Heroes was just blowing it out of the water.  How things have changed.  They’ve tried improvements, and some made for good TV, problem is I get a real feeling that the show runners have no idea where they’re going, and the series is floundering because of it.  I think the negative response to series 2 shook them, possibly they had a plan then, but now they’re just scrambling to try and keep people happy.  Great TV this does not make.

The Reilly 2040 Worst padding award.

Named after a good friend and fellow blogger who is begging for the US to consider 13 episode seasons rather than give us 7 episodes of dull padding a year.  There is only one choice for this year’s winner

Terminator: The Sarah Connor Chronicles. When this series is advancing its plot, its top stuff.  I mean really good.  However when its padding it can be dire.  This series suffered form too many padding single episode stories and not enough advancing of the plot.  Shame because what we saw of the plot was brilliant.  To paraphrase the person this award is named for, “I nearly fell asleep during an episode set in a sleep clinic”

Worst network interference,

for when networks damage perfectly good series through stupid interference.  A contender for this was Terminator: The Sarah Connor Chronicles.  The call from Fox for more standalone episodes and fewer arc plot ones gave us the padding I lambasted in the last award.  However possibly the worst example has to be

Dollhouse. It had an intriguing concept, and there is definite promise in some of the later episodes, but once again Fox intervened with a  call for more stand alone and less arc plot.  They probably asked for more changes which resulted in re-writing and in cases shooting the pilot and the first 5 episodes.  From what the rumbles are, it was so Joss could take the series from where Fox wanted it to still work with his longer plans.  As a result, Dollhouse has been a bit of a mess frankly.

Pie Man special award.

An arbitrary award given to a show for reasons of my choosing.  Winner is

Chuck. Chuck is great fun, and series 2 (What I’ve seen of it Virgin 1) has been good so far.  Chuck wins the special award because I’ve not seen enough of it to compete for another category, and also because it is the series that could stand alone on its supporting cast comedy sub-plots.

Graceful retirement award,

An award for a series that has retired before its gone woefully downhill.  This could have been Pushing Daises, but I reckon it had another year at least in it.  Nope, it has to be

Battlestar Galactica. Great ending, and it ended, wasn’t axed and left hanging (terminator) wasn’t run out until you were begging for no more.  It ended, story told.  Well done

The McMillan’s Pasties – now with over 20% real cow, a true lunch treat – award for shameless product placement

An award for a series that has a marketing man’s fingerprints all over it.  Who else but

Knight Rider. So, KITT is a mustang, not bad, I likes my muscle cars, but he can turn into other vehicles in a massively unlikely way, fine, it’s a silly show, that’s why I love it.  But for some reason, KITT can only turn into cars manufactured by ford.  What next, the Autobots only transforming into cars manufactured by Chevrolet?

Guilty pleasure award,

for a series that wasn’t particularly good but which I found strangely enjoyable, but probably wouldn’t tell too many people.

Bonekickers. Ok, was it Genre TV, probably towards the not side of the grey area.  It was dumb, its history was flawed and for a team of archaeologists they seemed to destroy every valuable find.  They wrecked Excalibur for gods’ sakes.  However it was daft fun and I have a wee soft spot for it.  In no other series will you see a man attempt to fight an armed man by quoting significant dates from history at him.

Worst treatment of a series.

This is for a channel, network, or other body who I reckon has mistreated a series.  Naturally Channel 4 and Virgin 1 were both contenders, 4 for Reaper, Virgin 1 for the late arrival of Chuck, ITV were even in the running for the graveyard slot for Pushing Daisies, and no publicity for season 2.  But the award for Worst treatment of a series has to go to

Virgin 1 for their treatment of Terminator: The Sarah Connor Chronicles.  So, you have a big show from the US, what do you do?  Well, let’s start it late.  That’s fun.  Make sure some people have given in and started bit-torrenting by the time we show the first episode.  Next, oh this is better, you know, why have we been putting this high profile show, which we clearly have spent money on buying and publicising, on at a peak 9pm slot?  People might watch it, nah, lets shunt worlds most violent neds on at that time and push it back to 10, that way it’s probably on too late for people who want to sleep, or have a job, or like to watch the news.  And gods help you if you want to catch the +1.  Good Job virgin, really nice.

So, its been long and rambling, but perhaps this will spur me on into actually writing up some stuff about what I’ve said on here in more detail.  Review of the year, here we come.